起源于八零年代南加州荒漠中一群庞克乐迷的开创起义。被认为是许多大型音乐祭如:火人祭(Burning Man)、Lollapalooza音乐节、科切拉音乐节(Coachella)的原始启蒙。有多个乐团罕见的演出片段及访谈。音速青春(Sonic Youth), Redd Kross, 肉身傀儡(Meat Puppets), 分钟人(the Minutemen), Swans等乐团与一群音乐信徒,共同前往莫哈维沙漠,参与一场前所未见、影响深远却被忽略至今的重要音乐祭。
专题片《持续发力 纵深推进》突出反映了党的二十大以来,中央纪委国家监委坚持以习近平新时代中国特色社会主义思想统领纪检监察一切工作,深入贯彻落实党的二十大精神和二十届中央纪委二次全会部署,持续强化政治监督,以严的基调正风肃纪,全面加强党的纪律建设,纵深推进反腐败斗争,推动完善党和国家监督体系,有力推动新征程纪检监察工作高质量发展取得新进展新成效。 专题片共四集,分别为《解决独有难题》、《政治监督保障》、《强化正风肃纪》、《一体推进“三不腐”》,选取12个案例,采访纪检监察干部、有关审查调查对象及涉案人员、干部群众170余人,采用案例纪实、夹叙夹议、剖析点评等方式,生动讲述以习近平同志为核心的党中央时刻保持解决大党独有难题的清醒和坚定,坚持全面从严治党永远在路上、党的自我革命永远在路上,持续发力、纵深推进,一刻不停正风肃纪反腐的故事。
三集纪录片《行藏》以行经成都至拉萨的317国道为主线,从成都开始,沿路而上,沿路经过汶川、阿坝、马尔康、色达、炉霍、甘孜、德格、昌都,直到拉萨,全面展示317国道沿线的藏区自然风光、人文景观,深入介绍沿线的历史传说、生态现状、百姓生活和社会经济发展。
《生和活》是一部采用法国纪录片流派“真实电影”的创作方法来完成的纪录短片。全片随机采访身处上海郊区古镇的各种人,向他们提出人生三问:你是谁?你从哪里来?生活得怎么样?通过以上普适性的问题,将“生活”拆分成“生”和“活”,让每个人重新看待和思考自己的生活。回答是一种“对境”,折射出每个回答者的身份、阶层、处境和心境。
纪录片《马背上的青铜帝国》以北方草原青铜文明为题材,展现来自草原帝国独特的历史文化魅力,再现两千多年前北方草原游牧民族生产、生活、军事等历史篇章,拍摄横跨欧亚、美洲大陆,历经内蒙古鄂尔多斯、蒙古乌兰巴托、美国纽约、瑞典斯德哥尔摩、俄罗斯圣彼得堡、北京、陕西、吉林、大连等多地进行拍摄,采访国内外著名专家教授10多位,历时一年拍摄制作完成。
巡回演唱会最终场录制的《Taylor Swift | The Eras Tour | The Final Show》,包括《The Tortured Poets Departments》曲目。
中国商人秦国立在英国惨遭雇佣兵组织“北极狼”绑架,秦的女儿Fareeda(徐若晗 饰)也卷入其中,遭到追杀。千钧一发之际,急先锋国际安保团队成为他们唯一的希望,由总指挥唐焕庭(成龙饰)带领雷震宇(杨洋饰)、张凯旋(艾伦饰)、弥雅(母其弥雅饰)、神雕(朱正廷饰)等组成的急先锋行动小组,上天入地,辗转全球各地施展惊险营救。解救人质的过程中,竟发现“北极狼”背后的犯罪集团还策划了一场惊天密谋……
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
《原始求生记:安第斯山脉》 第1集 崎岖丛林(Jagged Jungle) 荒野探险家黑曾·奥戴尔将开启一趟以太平洋海岸为最终目的地的探险之旅,期间他将翻越被白雪覆盖的安第斯山脉。在第一阶段的旅行中,黑曾以险恶的丛林为起点,与危险的动物同行,他还造访了瓜拉尼人的村落,体验了当地的节日文化。 第2集 不畏艰难(Hell and High Water) 荒野探险家黑曾·奥戴尔通往安第斯山脉的探险之旅进入了第二阶段。他来到了大查科平原,一座巨大的干旱稀树草原。在这里,他将穿越森林和积水湿地,运用求生技能、知识和耐力,到达一座皮拉加人的村落,和皮拉加人一起捕鱼,并参加庆典。 第3集 惊险爬坡(Perilous Ascent) 荒野探险家黑曾·奥代尔在安第斯山脉继续他的探险之旅。旅程已进入第三阶段,他必须在冬季降雪之前抵达安第斯山脉被白雪覆盖的山峰,穿越云雾林,找到一个小小的高海拔部落,参加那里的原住民举行的“大地之母”仪式。 第4集 炙热盐滩(Searing Salt Flats) 荒野求生专家黑曾·奥代尔要从东到西横越雄伟的安第斯山脉,穿越南美洲数一数二艰险的环境。这一次,他的探险之旅进入了第四段。想亲自体验当地居民的古老仪式,他必须先穿越阿根廷炽热荒芜的盐滩,然后辛苦攀爬,走过迷宫般的蜿蜒峡谷。 第5集 致命沙漠(Deadly Desert) 在横越安第斯山脉的第五段旅程中,荒野探险家黑曾·奥代尔将向致命的阿塔卡马沙漠发起挑战。黑曾一路西行,无惧有碎石崩落的峭壁、滚烫的火山泉与绵延的干燥荒原,最终抵达利坎纳泰的牧场。他将在这里和当地人一起参加一年一度的庆典。 第6集 杀人海岸(Killer Coast) 荒野探险家黑曾·奥代尔来到智利的阿塔卡马沙漠。他将踏上这趟冒险的最后一段路,前往危险的太平洋海岸,穿越雄伟的沙丘、高耸的悬崖和多岩的半岛。他的目标是赶在冬至之时登上位于美洲大陆西缘、南回归线上的莫雷诺山。 © 寰宇地理
故事讲述的不是遥不可及的故事,而是我们身边的故事,或者,那就是你或者我。影片的主角都是文昌中学的在读学生,他们是对科学有着浓厚兴趣的科技社微星部符诗语,习惯在夏日炎炎中汗洒操场的排球队主攻手苏运霖,还有依赖于舞蹈表现自己的舞蹈队领舞黄艺。他们共同演绎往昔的峥嵘岁月。
2010年圣诞节,叶茨在布里斯托尔被发现遇害,这起案件成为媒体炒作失控的典型例子。她无辜的房东克里斯托弗·杰弗里斯被冤枉,最终一名荷兰籍男子被判入狱。
《清醒边缘》以双相情感障碍患者吴昊作为主要对象进行叙事展开,加入专业医生的讲解、吴昊家人对其发病的回溯、吴昊的个人访谈、客观记录的吴昊生活等内容。整体以时间轴线铺开,表现吴昊通过药物维持“相对清醒”的生存常态,以及个人与疾病共处的社会状态。在主题表现中,不仅是对吴昊个体的影像记录和呈现,更希望让社会大众理性了解精神障碍群体,看到更多患者的生存现状和困境,进而削弱或消除对该群体的病耻感。
大型高清纪录片《钓鱼城——天神折鞭之地》由中共合川区委、合川区人民政府与中央电视台纪录频道合作、斥资400余万拍摄制作。于2015年7月28日在央视纪录频道CCTV-9隆重首播。该片史料翔实,叙述准确,艺术化的再现了钓鱼城这一古战场的整体风貌,披露了许多鲜为人知的历史细节,真实全面的反映了1259年蒙哥御驾亲征攻打钓鱼城,从2月开始攻城,到7月蒙哥战死撤军的历程。其故事情节精彩,战役规模宏大,情节跌宕起伏,人物个性鲜明,向世界展示了钓鱼城的历史价值、军事价值以及此地深厚的历史文化内涵。