刺杀肯尼迪2013

简介：

　　本片改编自2006年挪威畅销同名小说。故事的主人公艾娃是一个“毛孩儿”，生活在20世纪初期的北欧。她因为自己的基因疾病，全身大面积被毛发覆盖。人们叫她狮子女。影片跟随她的成长经历描述了那个时代北欧的生活面貌。从参加剧团扮演丑角，到成为一个作家，狮子女艾娃慢慢学会接受自己，用自己的智慧独立生活，并最终赢得他人的尊敬。

简介：

　　一场意外，改变了一对母女的命运。病床上的母亲李焕英（刘佳饰）昏迷不醒，女儿贾晓玲（贾玲饰）涕泗横流，唯恐与母亲阴阳两隔。恍惚之中，晓玲突然穿越到久远以前的陌生时代，并在那里意外邂逅尚待字闺中的青年李焕英（张小斐饰）。在此之后，晓玲以远亲相称，成为妈妈形影不离的好姐妹。许是见证了妈妈数十年来的劳苦辛酸，晓玲希望通过努力改变妈妈的命运，让她变成一个幸福快乐、富足无忧的女人。而一系列搞笑、感人的小故事，就围绕这对姐妹花母女展开……

简介：

根据音乐剧《泷泽歌舞伎》改编的电影，由主演该音乐剧的日本国民偶像泷泽秀明执导，由杰尼斯旗下超人气组合SnowMan主演。

简介：

简介：

　　弗兰克（罗伯特·米彻姆 Robert Mitchum 饰）是一名救护车司机，一天，一位名叫凯瑟琳（芭芭拉·欧内尔 Barbara O'Neil 饰）的妇人因为煤气中毒而坐上了弗兰克驾驶的救护车，弗兰克就此认识了凯瑟琳的女儿戴安（简·西蒙斯 Jean Simmons 饰），戴安是一个既美丽又聪明的女孩，弗兰克很快就坠入了情网，而戴安似乎也对弗兰克格外热情，没过多久，弗兰克就辞掉了工作，成为了戴安家的司机。
　　随着时间的推移，戴安所表现出的种种异于常人的举动和她家中凝重诡异的气氛让弗兰克开始怀疑，这个女孩根本没有外表看起来的那么天真烂漫，当他想要逃离这个巨大的漩涡之时才发现，自己早已经无处可逃。

简介：

　　高中生艾丽克莎•沃克（埃米•罗森 Emmy Rossum 饰）因为经期不调来医院做妇科检查，可大夫说她的问题在于性生活不规律。其实，她还是处女，并无经验。她有一个很体贴的朋友本•伯格（阿什利•斯普林格 Ashley Springer 饰）。她渴望成为一名演员，并在舞台剧《欲望号街车》中扮演了布兰奇这个角色。但是，跟她搭戏的男孩强尼•德拉克（扎克•吉尔福德 Zach Gilford）似乎对演戏并不上心，这让她感到非常郁闷。她找到他，希望他可以认真地演戏，没想到却被对方羞辱。老师请来了前辈指点，后者觉得强尼很有潜质，但却劝艾丽克莎改行，这令她大为不解。原来，前辈认为她是乖乖女，不适合演员这个职业。为了证明自己，她在派对时嗑药，并勾引了强尼。而本此时也向强尼示好，三人陷入了暧昧关系之中……

简介：

《乐园》讲述了结束了十年戒毒所生活的女子，来到了被称为“女性的乐园”的小岛上，打破了岛上原有的平静生活，自己也找到了真正的自由。池珍熙在剧中饰演在岛上的小学教书的老师日浩，当陌生女子美静(金荷娜饰)来到岛上之后，就给予她很多帮助并彼此相爱。

简介：

一所成绩至上的高级私立名校“恩善中学”,学生们每天不停地念书考试,为成绩和排名所苦。学年终考前。 一张匿名通告信被大量复制,洒落校园各地,上面威胁警告:七日后将有自杀事件发生!

以成绩挂帅的高压菁英私校,瞬间陷入恐慌。校长与老师紧急展开调查。随着自杀倒数日逼近, 匿名者的身份逐渐浮现,他的动机为何?

自杀通告的出现,连带效应接踵而来。校长(黄秋生饰)、老师(林予晞、黄迪扬饰),必须赶紧查出发出的通告的人是谁,同时面临社会价值观、家庭与学校的压力,让他们反思自己的教育信念,每个人必须做出抉择。随着期限一天天倒数,匿名者的身份即将揭晓,他动机为何?

简介：

讲述纽约教师戈登随其法裔女友去魁北克工作生活，面临适应新的生活，以及来自新的女友的前男友，女友的家人的压力和考验，最终赢得女友及家人的认可，找到自信与方向的幽默浪漫故事。

简介：

当父母的财政问题威胁到了Ashley上大学的梦想时，这个高中生决定自己来解决这个问题。她和她的朋友们将她们的保姆工作变成了为奶爸们开放的三陪服务，并大获成功。但在这个郊外的小社区里，没有什么秘密，并且FBI也开始调查这个组织……　　When her parents' financial problems threaten Ashley's dreams for college, the high school whiz kid takes matters into her own hands. S he and her girlfriends turn their babysitting business into a wildly successful escort service for dads. But in this small suburban community, nothing stays secret for long, and the FBI descends on the organization. Inspired by true events...

简介：

　　潘仲明上班前突然接到一条女儿被绑架的微信小视频，女儿情况十分危急。救女心切的潘氏夫妇决定甩开警察私下和绑匪交易，未料出现种种意外。此时妻子埋藏多年不为人知的秘密也随之而浮出水面，使局面更加扑所迷离。事情究竟缘何而起？绑匪到底为何人？女儿能否平安归来？惊天阴谋正在上演……

简介：

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.